Macbeth - Guthrie Theater - February 2026

Macbeth

Program cover

A tragedy by William Shakespeare

Review By Ernest Edwards

As you enter the theater, one can’t help but notice how dark the stage is.  There’s no stage lights lit on the stage at all. It’s a dark void in the theatre.  Foreshadowing? Maybe. Macbeth is a Shakespearean tragedy after all.  

Before the play even begins, there’s lots of great information in the program for this production of Macbeth. On the cover is an upside crown that also looks like a bubbling cauldron, which is a reference to Macbeth becoming king, and the prophecies referenced by the Weird Sisters.  This production is directed by former Artistic Director of the Guthrie Theatre, Joe Dowling. It was great seeing him back at the Guthrie directing a Shakespeare play. There’s a nice write up in the program about Joe Dowling and this production. Then there is also a nice article about how Shakespeare borrowed the idea for Macbeth from The Chronicles of England, Scotland and Ireland that was published in 1577 & 1578. Since King James (a Scottish King) was now on the throne of England Shakespeare made Banquo, who was the founder of the House of Stuart and an ancestor of King James, more favorable in the play. Then there is also a nice page about the curse productions have experience while performing the Macbeth, also referred to as the Scottish play.  Indeed, some very nice bits of information to read prior to the start of the play.

There are some scenes that are dimly lit, and some of the military costumes are black.  Not everything is dark and dismal, there are moments of color in the costumes and moments where the stage is brightly light. What I am trying to say is the darkness does add to the heavy moments in the play, very well.  Metaphor and reality coming together to create something beautiful together in this production.  I need to mention Scenic Designer Riccardo Hernandez, Lighting Designer Philip Rosenberg, and Costume Designer Judith Dolan for their designs for this production. The vision is well executed. 

The story follows Macbeth after a victory in Scotland. He is already the Thane of Glamis, and is prophesied to become the Thane of Cawdor, and even King of Scotland. As fate would have it, Macbeth and his wife Lady Macbeth are to host King Duncan at their home. You can probably guess what happens next. 

This is not the first time I have seen Macbeth on stage.  I have seen several film versions too. I think this is only the second production that did not have an intermission.  It played for 1 hour and 50 minutes.  It was an engaging and fast moving play. The other time I had seen it performed without an intermission was at The Park Avenue Armory in NYC. That production was directed by and starred Kenneth Branagh (Macbeth) and Alex Kingston as (Lady Macbeth).  I liked not having an intermission. I don’t think there’s a right way and wrong of doing the show with or without an intermission. Depends upon what works best for the production.  No intermission was great for this production of Macbeth at the Guthrie Theater. 

I need to mention some members of the cast for their outstanding work in this play.  Bill McCallum as Dunkin the king, Daniel Petzold as his son Malcom, Daniel Jose Molina as Macbeth, Meghan Kreidler as Lady Macbeth, Peter Christian Hansen as Banquo, and John Catron as Macduff.  

There were some visually great moments in this production. The appearance of Banquo as a ghost. The coronation scene of Macbeth and Lady Macbeth. The trees from Birnam Wood as the soldiers approach Dunsinane Castle near the end of the play. 

Between those moments, the scenery, costumes and the cast make for an impressive and engaging night at the theater.  

The play continues through March 22, 2026. Check out www.guthrietheater.org for tickets. 

The Ostentatious Outlaws of Neehai Valley - Trademark Theater - February 2026

The Ostentatious Outlaws of Neehai Valley

Book, Music and Lyrics by Keith Hovis

Review by Ernest Edwards

Monday night, I was at the staged reading of The Ostentatious Outlaws of Neehai Valley. It was a co-presentation between Trademark Theater and Park Square Theatre, on the main stage at Park Square Theatre. Before the show started, we did learn that the musical will be part of the 2026/2027 Season at Park Square. Sounds like they are looking at dates for Spring of 2027. That is exciting news!!!

I went to the staged reading in early 2025. I thought the show was fun and fabulous. The only critique I had in 2025 was that the scripted needed some fine tuning. That was it.  It was a pleasure to attend the stage reading this week. There are some new songs, and the script has been improved upon.  What else I really liked was that three out of five cast members were back for this years staged reading. I’m hoping they will all be back for the fully staged musical in the 2026/2027 season. 

The musical is directed by Tyler Michaels King, with Jason Hansen as the Music Director.  The cast is Em Adam Rosenberg as Will, Armando Ronconi as Ezra, Max Wojtanowicz as Dale, Hope Nordquist as Lorelia (Dale’s sister) and Susie Jul as Cora.  

The story is about a small town with a bush in the center of town. Think of this bush similarly as you would the burning bush that Moses encountered in the Egyptian desert.  The bush has rules to abide by, there are annual rituals for the bush, and the bush also hasn’t spoken to anyone in over a century.  Now the branches of the bush start to fall off.  In walks a stranger from a different town. A town that also had this same bush.  

One change to the script that I really enjoyed with this staged reading, is last year the characters Ezra and Dale were “are they? Is there something more going on with these two guys?”. This year, as the show moves along, Ezra is definitely bisexual and Dale eventually figures things out for himself. It doesn’t hit you over the head. I just found it to be more obvious and funnier.  

I like going to stage readings of new works. It’s fun to be part of the process and to watch the show grow and develop into a local/world premiere show. 

It’s a hilarious two act musical. I for one, can’t wait to see a fully staged production in 2027.  Let’s all keep an eye on www.trademarktheater.org and www.parksquaretheatre.org for performance dates and tickets. 

Salome’ - February 2026

Salome’ 

By Oscar Wilde

Review by Ernest Edwards

Stop what you are doing and run out and see this play! It is a must see production!

Director Grant Sorenson, along with Scenographer Josh Oberlander have created a unique staging environment of this play. In the center of the Paikka event center, there are two long tables for a feast. The audience can sit on the outer side of the tables. The performance space for the play is the inner seating of the tables and space between the two tables. There’s also risers on either side of the space for the audience. I sat at one of the tables and felt very immersed in this production of Oscar Wilde’s play.  

This was my first time seeing the play Salomé by Oscar Wilde. It’s a powerful script. Salome is a dramatization of the story from the Bible of King Herod, Salomé and Iokanann (today we know as John The Baptist).  

The must see performances are Nathan Keepers as Herod, Ani Tonoyan as Salomé(daughter of Herodias, and step daughter of Herod), Logan Lang as Iokanaan, and Emily Gunyou Halaas as Herodias (the wife of Herod).The servants played by Stephanie Kahle, Sri Peck, Kashmir Shakti, and Kai Brewster are great too. Small cast of 8, but it is big play. 

Nathan Keepers gives a tour de force performance as Herod.  Ani Tonoyan is a vision as Salome’. Between her command of the stage, her hair, makeup, and the silver dress that she wears draw the attention of the play to her.  

When I think Oscar Wilde, I think of the plays The Importance of Being Earnest and An Ideal Husband. Two very funny comedies. I know, I also need to read The Portrait of Dorian Gray. As I was watching Salome’, I found myself being amazed by the script that this also Oscar Wilde. It was side to Oscar Wilde that I had seen before.  

The costumes and scenery are present day. King Herod has received favors from Cesar and is hosting a banquet. Iokanaan is imprisoned in an old cistern on the estate. Salome’ wants Iokanaan, but he refuses her advances. Herod is too interested in his step daughter. Salome’ finally agrees to dance for Herod, against her mother’s wishes. Herod promised her anything that she wanted. She asks for the head of Iokanann. Herod believes that is an act against God, he eventually grants her what she has asked for. 

Another nice touch that I liked with this production, is the programs were the size of an elite style menu. They are on the seats on the risers, but are also on the plates for the table side seats.  

This was a fun production with one of a kind staging. This cast and this script made for a great evening at the theatre. This show is not to be missed. 

Play runs through February 28, 2026. Check out https://www.salomempls.com/ for ticket information. 

The Mountaintop - Artistry - February 2026

The Mountaintop

A play by Katori Hall

Review by Ernest Edwards

I was supposed to the see play The Mountaintop last week, but due to illness in the cast my performance was cancelled and I was able to reschedule my ticket to the matinee on Saturday February 21, 2026.  Glad I was still able to see this play.  

The play is a fictional account of Dr. Martin Luther King Jr’s last night on earth. A night spent at his hotel room in Memphis, as we now know as the eve of his assassination.  Dr. King is joined by a housekeeper who brings him coffee late at night.  As the play goes on, we learn that she is actually an Angel who is went to prepare him for what comes next.  

As you walk into the Black Box theater at Artisty. You see the scenery is a 1960’s hotel room that is at an angle. I liked that the scenery was not 100% symmetrical with the theatre space for this play.  

The notes from director Warren C. Bowels in the program are very insightful.  I am one of the people referenced that grew up in the world after Dr. King’s assassination.  According to the program, the playwright wrote this play based on stories told her by mother.  

Mikel Sapp gives an amazing performance as Dr. Martin Luther King Jr.  He is able to embody and emote the passion, the drive and the essence of Dr. Martin Luther King Jr. Tyler Susan Jennings gave a great performance of Camae, the housekeeper turned Angel.  

As a society we have come so far since the 1960’s, when it comes to equal rights.  Even in 2026, we have so far to go.  I liked how the play ended with the “passing of the baton” video that captured moments in time from Dr. Martin Luther King Jr’s assassination to the present. It was nice way to conclude the legacy of Dr. Martin Luther King Jr. 

The performances of The Mountaintop by Mikell Sapp and Tyler Susan Jennings are not to be missed.  

The play runs through March 1, 2026. Check out www.artistrymn.org for tickets. 

The Cake - Theatre in the Round Players - February 2026

The Cake

A play by Bekah Brunstetter

 

Review by Ernest Edwards

I was at opening night of the play The Cake at Theatre in the Round Players Friday night.  

To say this play from 2019 is only about a baker denying to bake a cake for a lesbian couple would be simplifying  the story too much. The play is a lot more than that. It also deals with religion, faith, love and relationships in the 21st Century. 

You have Macy, who is an African-American woman, who is engaged to Jen, a southern Caucasian woman. Macy and Jen live in Brooklyn. Jen wants Della to bake her wedding cake. Della is one of Jen’s last connections to her Mom from her southern home town. 

Jen is disheartened when Della says has a full schedule for the month they want to get married. You can tell that this was not easy for Della say this. This action does make Della question her faith. Not being Christian, but that one sentence in Leviticus. She sees how much Jen is hurt by this.  She loves Jen and wants her to be happy. Her faith says she can’t participate in Jen and Macy’s wedding.  

Della and her husband Tim are also having a rough time in their marriage. Spoiler alert. They try frosting and mashed potatoes to reignite the spark.  Not going say any more.  You will have to watch and see.

This play is very rewarding by the end. There’s character growth, there’s understanding, and relationships deepen. The characters all have a journey that they go through in this play. They all come out stronger and more positive in the end.  

I really liked the set design by Keven Lock. There’s a titled floor, three counters and a table with chairs that are rearranged effortlessly for each scene in the play.  I need to also mention Costume Designer Emma Shook, I really liked the costumes for George and the final costumes for Jen and Macy need to be mentioned. 

For opening night, there was also cake in the lobby after the play.  

I really liked this play. It was very enjoyable and relevant for our time. The Cake continues through March 15, 2026. Check out www.theatreintheround.org for tickets.  

Violent Delights - Night Fire Theatre - February 2026

Program Image

Violent Delights

Created and Directed by Penelope Parsons-Lord with Erika Sasseville

Review by Ernest Edwards

In my years of living in the Twin Cities, I have never been to the Crane Theatre before. It was great to see the Night Fire Theatre production of Violent Delights at the Crane Theatre last night. 

From the poster it sounds like play this got its start back in 2019. This is my first time seeing this production.  It takes bits and pieces of various Shakespeare plays and creates a new story with a cast of 9 who play all the roles.  Some of the plays represented are Hamlet, Romeo and Juliet, Much Ado About Nothing, Macbeth, Midsummer Night’s Dream, Othello, and Titus Andronicus.  The plays were woven together very well. Made for a fun night at the theater.

After seeing this play, I may have to rewatch some of my favorite Shakespeare plays on films. Don’t be surprised to hear me rewatching the Kenneth Branagh film version of Much About Nothing in the near future. 

The stage setting was unique too.  It was a thrust stage setting with traditional stage seating in the back, and the fun seating was on the sides of the stage. The sides consisted of couches, love seats, chairs, and table & chairs to choose from.  The side seating was fun and up close too.  

The first paragraph of the Director’s Note in the program are so true. ‘Sometimes when I say the word “Shakespeare,” I see people’s eyes gloss over. And I get it —maybe your mind jumps to hours in a classroom slowly reading through Romeo and Juliet, or sitting in a dark theatre trying to decipher confusing language. Or maybe you dismiss Shakespeare as a dead white man who is overproduced and irrelevant.  I understand that whilst there are some truly amazing productions out there, there are a lot of negative associations with the word “Shakespeare.”’

Violent Delights presents Shakespeare as you have never seen it before. Whether you have seen a Shakespeare play before, or have seen many Shakespeare plays, or have never seen a Shakespeare play before Violent Delights is a great introduction to Shakespeare.  This is Shakespeare as you have never seen it before.  

I went to the penultimate performance of this play. There’s only day left to see this creative production. It closes on Valentine’s Day, February 14, 2026.  Check out www.nightfiretheatre.com for tickets. 

Red - Gremlin Theater- February 2026

Red 

A play by John Logan

Review by Ernest Goes To The Theatre/Ernest Edwards

The reason to see the play Red is because of actors Pearce Bunting as Rothko and Ben Shaw as Ken.  Their performances are a work of art. 

This 2008 play takes place at the New York artist studio for Mark Rothko in 1958/1959 as he is commissioned for some murals at the Four Seasons restaurant in New York City.  Rothko has hired Ken to help with mixing paints, making frames and placing the canvas on the frame.  It’s a real opportunity for Ken to work with and learn from an artist like Rothko.  

I really liked the scenery designed by Carl Schoenborn.  From my old theatre days working in the scene shop at the university, the stage felt familiar to me. The paint splatter on the floor, the rags, the drop cloths, the paint buckets, and the wood frames. I was like, this is definitely where art is created.  

The Gremlin Theatre is the perfect venue for this play.  I also like the information and photos about Mark Rothko in the lobby of the theater.  

A lot is discussed in this 90 minute play. Some of the topics covered are art at the time, contemporary artists, favorite artists of the past, the rise of commercial art and pop art. The two characters do have art as a connection, but that connection is also what keeps them apart.  

This is great play to to see.  I was very impressed with the acting and the depth of the characters. 

The play runs through March 1, 2026. Check out Gremlin Theatre for tickets. 

The stage, before the play begins

Love Letters - Chanhassen Dinner Theatres - February 2026

Love Letters

Review by Ernest Goes To The Theatre/Ernest Edwards

I went to the classic 1988 play Love Letters at Chanhassen Dinner Theatres, written by A.R. Gurney. I had first seen the play Love Letters back in the summer of 1993. It was a big anniversary year for the Straw Hat Players at Moorhead State University, now known as Minnesota State University Moorhead.  That production had Joanna Kerns and Robert Hays as the cast. 

I learned during the talk back after the play last night. Love Letters was remounted at Chanhassen Dinner Theatres for a limited engagement in November 2022 with actors Nancy Nelson and Don Shelby.  It has been extended seven times.  Now when this run ends in February, it will be closed out at Chanhassen Dinner Theatres.  That is an impressive run!  This production was directed by the late Michael Brindisi, and restaged by Janet Hayes Trow.  

The story follows Melissa Gardner and Andrew Makepeace Ladd III. From 1937 to 1987 the play follows the letters they have been writing to each other since they were nine years old.  The actors each sit at their own desk, and read the script.  Sounds very simple, but it’s very powerful with this play. Throughout the play, we learn about their adventures in school, college, their marriages, their spouses and children. Their struggles, their ups and downs.  This friendship endures careers, ambitions, travel and life.  Such great story telling. 

The only spoiler alert I will provide is that this is traditionally a 90 minute play with no intermission. Chanhassen Dinner Theaters did add an intermission. Of course I had to have dessert during intermission. Which was probably the plan all along.  

Love Letters runs through February 22, 2026. Check out www.chanhassendt.com for tickets. 

The poster outside of the playhouse theater. 

The stage, before the play begins.  

The Glass Menagerie - Theater Latte Da - February 2026

The Glass Menagerie

Review by Ernest Goes To The Theatre/Ernest Edwards

As part of their 2025/2026 season, Theater Latte Da is presenting Tennessee Williams classic play The Glass Menagerie.  

Director Justin Lucero discusses his cinematic concept for the play in the program. In the full program online, there is also a couple of fascinating pages about The Glass Menagerie and Tennessee Williams.  I learned about Tennessee Williams’ sister in the program.  Didn’t realized before that the character Laura from Glass Menagerie and Blanche Dubois from A Street Car Named Desire had elements based on his sister’s mental state.  The evolution of The Glass Menagerie play was also a nice read in the online program. 

This production has some movie elements.  It is a memory play after all. Tom (Dustin Branson) states that at the very beginning. Tom is both part of the play, and the narrator of the story.  The play takes place in a St. Louis apartment. The story is about the family, Tom works at a factory to help provide for his mother Amanda (Norah Long) and his sister Laura (Amy Eckberg)

I liked the movie/film elements that are brought into the play.  Camera close ups, and playing around with the sounds of the voices.  This all played well into Tennessee Williams script. You can’t see this with my photo, in the downstage left corner (looking right for the audience) there’s a fun set of “instruments”.  There’s wine glasses, glass bowls and other items used to create the music and background for the scenes within the play The Glass Menagerie.   Soundscape artist Brandon Brooks is also Jim in the second act of the play. Also they had outlines on the stage floor defining the fire escape, living room, dining room and kitchen.  I liked seeing that as part of the layout.  

The Glass Menagerie is a drama. The story is about a family in a cramped apartment trying to survive after their father left years ago. You have the mother who fondly remembers her good old days. The son who works himself very hard to provide for the family. The daughter who has no self confidence.  The mother insists that they need to bring gentleman callers to the apartment, so Laura can find a suitor and eventually get married. Tom brings Jim to the apartment. (Spoiler Alert) They know each other from the warehouse, but Tom doesn’t know that Jim is engaged.  

A reason to see The Glass Menagerie is the cast! Dustin Branson as Tom, Amy Eckberg as Laura, Norah Long as Amanda, and Brandon Brooks as Jim.  I really liked Justin Lucero’s vision as the director of this play. This play really comes together with the design team.  Scenic Designer Joe Thomas Johnson, Video & Projections Designer Adam J. Thompson, Sound Designer & Original Music by Katharine Horowitz.  I have never seen The Glass Menagerie this way.  The movie and sound design added new modern elements of storytelling into this American Classic piece of literature. 

The play runs through March 1, 2026. Check out www.latteda.org for tickets. 

The stage, before the play begins. Photo by Ernest Edwards. 

How to Catch Creation - February 2026

How to Catch Creation

Review by Ernest Goes To The Theater/Ernest Edwards

This was a fun play.  With the story taking place during 2014, 1967, 1968 and 1988. Sometimes at the same time. Parts of the play reminded me of the movie The Hours, where you had Virginia Woolf writing a book in the past, and a connection to her and with multiple generations.  Moments between 2014 and 1967/1968 were playing out at the same time. Sometimes with the same dialogue and situation.  

The play is written by Christina Anderson and premiered at the Goodman Theatre in Chicago in 2019.  

This play is absolutely wonderful.  The cast was so talented and had such great moments on stage.  The stage space was used very well with this production. 

At the center of the play in 2014 is friends Griffin (Duck Washington) and Tami (Tia Tanner). Also in 2014 is the young couple Riley (Izzy Maxwell) and Stokes (Noah Branch).  In 1967/1968 is author G.K. Marche (Mary Cannon) and her lover Natalie (Lyreshia Ghostlon-Green).  As the play goes on, oh does it get interconnected.  Which is delicious for the audience. 

Griffin is in his mid to late 40’s and wants a child. Tami is his best friend and a college art professor.  Riley is a computer genius and her boyfriend Stokes is a painter. Stokes can’t get into art school, he has received 13 rejection letters. After reading some of the books by G.K. Marche, Stokes wants to be a writer.  Riley and Tami become close.  Through a chance encounter Griffin and Strokes become friends.  Meanwhile in the past Natalie cheats on G.K Marche with a man. And says she will name her son Griffin.  Riley and Tami get entangled. Riley and Stokes learn they are expecting.  Lots of twist and turns, drama, humor and heart. 

Later in the present, Stokes and Griffin go to visit G.K. Marche, who is their favorite author. She sees familiarity in Griffin. She eventually tells him that she knew his mother.  She doesn’t let him know that she was almost his mother too. 

The scenery (designed by Kejia Yu) blended very well as being in the past and recent present.  My favorite part for the scenery was the crystal chandelier.  

I feel like, by the end of the play. The characters found out how to capture creation. 

The play is about two and a half hours long, including the intermission. 

There’s still time to catch this play. It continues through Sunday February 8, 2028. Check out www.theatreintheround.org for tickets. 

The stage before the play begins

The upper stage, before the play begins. 

My Name is Florence - January 2026

My Name is Florence 

Review by Ernest Goes To The Theatre/Ernest Edwards

I was at opening night of the World Premier of the new opera My Name is Florence. It’s part of the Minnesota Opera’s 63rd Season. We learned before the opera started that MN Opera is working on six new opera’s.  There will be a new opera per season for several seasons to come.  That will be fun! Some opera’s that have premiered through MN Opera are Grapes of Wrath, Silent Night, The Shining The Opera, and many more. This is the 51st original new opera for MN Opera.  

For this new opera. The orchestra was on stage, the area where the orchestra pit is normally located was an extended part of the stage. That brought this opera closer to the audience.  I really enjoyed the scenery designed by Eli Sherlock. Costumes by Trevor Bowen need a shout out. The story takes place between 1900 and the 1940’s. 

The story is about music prodigy Florence Beatrice.  Florence as named after her mother and taught piano by her mother. Florence also named her own daughter Florence. Florence left Little Rock for the New England Conservatory of Music.  We see the affects of American History in Little Rock Arkansas during this time period.  

Florence eventually moves to Chicago. While living in Chicago she composes her most famous work Symphony in E Minor.  Composer B.E. Boykin and Libretto by Harrison David Rivers were also present for the curtain call on opening night.  

This new opera is just under 90 minutes.  With the ice sculptures in Rice Park, it’s a fun time to be at the Ordway in downtown St. Paul.  

I really liked this new opera. The story is one to hear. The cast has wonderful voices.  For opening night there was a post show with the cast.  

My Name is Florence plays at the Ordway through February 8, 2026. Check out www.mnopera.org for tickets. 

The Stage, before the opera begins. 

Whoosh! - Jan 2026

Whoosh!

Review by Ernest Goes To The Theatre/Ernest Edwards

Whoosh! At the History Theatre is a new play by Andrew Erskine Wheeler that got started at the Minnesota Fringe Festival as a one act play. Now it’s a full two act play.  

Before the play even begins, you can enjoy the scenery by Erik Paulson. It’s a nice slice of Minnesota. There’s rock formations, fir trees, an old campground, bridges, and projection screens depicting Minnesota beauty.  The projection screens are used throughout the play. 

It’s a fun one person play about Michael Mickey, played by actor/playwright Andrew Erskine Wheeler.  Whoosh! tells the story of Irish brothers who immigrated to the USA in the 1800’s. They become loggers in northern Minnesota.  Joined the Minnesota regimens during the Civil War.  Locations for the story, are a logging camp off of the Rum River, Fort Snelling, a battlefield in Tennessee, Minneapolis, St. Anthony and the St. Anthony Falls. 

Here’s what I really like about the shows at the History Theatre. Is the history that you learn.  Like when the St. Anthony Falls were a natural formation. They had great importance to the Native American tribes in Minnesota and Wisconsin.  There used to be an island near the falls called Spirit Island that had a significant importance to the Native American tribes. Spirit Island is no more.  

Back when the falls were the natural falls. Michael Mickey was the only person to go over the falls and survive.  

The Band known as Northern Shores are part for the play. They play background music, they sing songs. Sometimes the character of Michael Mickey joins them in song or sings a song himself.  Whoosh! Is not a musical, it’s a play with music. Northern Shores will have a concert at The History Theatre on February 15th.  

I learned a lot with this play. Learned a lot about the loggger’s, not known as Lumberjacks yet, (called shanty men) Minnesota’s involvement in the Civil War, the Irish in Minnesota, and the St. Anthony Falls. There’s a couple of pages of information on these topics in the program.  As well as the inner lobby at the History Theatre.  

Whoosh! Plays at the History Theater through February 22, 2206. Check out www.Historytheatre.com for tickets. 

The stage before the play beings. 

Northern Shores and Andrew Erskine Wheeler, before the play begins.